The Ark on Stage. A Calderonian Allegory and Its Crypto-Judaic Transformation by Antonio Enríquez Gómez

Research output: Contribution to Book/Report types › Chapter › peer-review

Original language	English
Title of host publication	Portuguese Jews, New Christians, and ‘New Jews’
Subtitle of host publication	A Tribute to Roberto Bachmann
Editors	Claude B. Stuczynski, Bruno Feitler
Publisher	Brill Academic Publishers
Pages	277-299
Number of pages	23
ISBN (Print)	978-90-04-36497-4
DOIs	https://doi.org/10.1163/9789004364974_014
State	Published - 2018

Access to Document

Wilke, C. L. (2018). The Ark on Stage. A Calderonian Allegory and Its Crypto-Judaic Transformation by Antonio Enríquez Gómez. In C. B. Stuczynski, & B. Feitler (Eds.), Portuguese Jews, New Christians, and ‘New Jews’: A Tribute to Roberto Bachmann (pp. 277-299). (Iberian Religious World; Vol. 4). Brill Academic Publishers. https://doi.org/10.1163/9789004364974_014

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The Ark on Stage. A Calderonian Allegory and Its Crypto-Judaic Transformation by Antonio Enríquez Gómez. / Wilke, Carsten L.
Portuguese Jews, New Christians, and ‘New Jews’: A Tribute to Roberto Bachmann. ed. / Claude B. Stuczynski; Bruno Feitler. Brill Academic Publishers, 2018. p. 277-299 (Iberian Religious World; Vol. 4).

Research output: Contribution to Book/Report types › Chapter › peer-review

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