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Abstract (may include machine translation)
In 2020 Mwazulu Diyabanza of the Yanka Nku Panafrican movement demonstratively entered a series of museums in France and Belgium and stole back African art works declairing they had been looted in the first place. This act of counter appropriation sent a wave of responses from legal to artistic around Europe. One of these was orchestrated by Samson Ogiamien and the Onyrikon theatre, which the author joined in the capacity of a collaborating artist and theorist reflecting upon the various modes of counter appropriation (and minor universality) occurring in restitutions around Europe. This chapter describes Iyagbon's Mirror, the performance work that resulted.
| Original language | English |
|---|---|
| Title of host publication | Minor Universality/Universalité mineure |
| Subtitle of host publication | Rethinking Humanity After Western Universalism/Penser l'humanité après l'universalisme occidental |
| Editors | Markus Messling, Jonas Tinius |
| Publisher | De Gruyter |
| Pages | 265-282 |
| Number of pages | 18 |
| ISBN (Electronic) | 9783110798494 |
| ISBN (Print) | 9783110798487 |
| DOIs | |
| State | Published - 7 Aug 2023 |
Keywords
- Appropriation
- Benin Bronzes
- Casts
- Copies
- Nigeria
- Repatriation
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Dive into the research topics of 'Repatriation from the universal museum: Iyagbon's mirror as a performance of minor-universals'. Together they form a unique fingerprint.Projects
- 1 Active
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REPATRIATES: Artistic Research in Museums and Communities in the process of Repatriation from Europe
Zinnenburg Carroll, K. (PI) & Melgarejo Weinandt, V. (Researcher)
European Commission - H2020 - European Research Council - Consolidator Grant
1/05/21 → 30/04/26
Project: Research