Projects per year
Abstract (may include machine translation)
This essay is part of the Catalogue of the splendid exhibition 'Christianity in Asia: Sacred Art and Visual Splendour', organised at the Asian Civilisations Museum in Singapore, shown from 27 May to 11 September 2016. In this essay I tried to summarise what we can know about the indigenous Christian art, mostly focusing my attention on church architecture, the diverse types of crosses and standard decoration. I tried to trace the specific Indian element in the Syrian Christian religious art, without claiming a "pre-Portuguese' dating for the extant monuments. Also, I tried to place the question of indigenous Christian art in the multireligious context but must admit that I have considered only the Hindu parallels. A more thorough comparative study should include the Mappila Muslim and the Jewish traditions, too. Also I tried to address the thorny question of the dating of individual monuments and styles.
Original language | English |
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Title of host publication | Christianity in Asia |
Subtitle of host publication | Sacred Art and Visual Splendour |
Editors | Pedro Moura Carvalho, Clement Onn, István Perczel, Ken Parry, Lauren Arnold, Maria da Conceiáo Borges de Sousa, William R. Sargent |
Publisher | University of Hawaii Press |
Pages | 38-49 |
ISBN (Print) | 9789810996857 |
State | Published - Jun 2016 |
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Dive into the research topics of 'Monuments of Indian Christian Art: Problems of Genres, Dating, and Context'. Together they form a unique fingerprint.Projects
- 1 Finished
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JEWSEAST: Jews and Christians in the East: Strategies of Interaction between the Mediterranean and the Indian Ocean
Perczel, I. (Main researcher at CEU)
European Commission - H2020 - European Research Council - Advanced Grant
1/09/15 → 31/12/21
Project: Research