Abstract (may include machine translation)
This article explores the cultural and historical significance of Soviet dembel’ (demobilization) albums, which were created by soldiers in their final months of compulsory military service. These albums, emerging in the late Soviet period, served both as personal memorabilia and as a collective narrative of military identity. The authors examine the unique DIY aesthetic of these albums, which often featured a blend of photographs, hand-drawn images, and symbolic decorations. We argue that these visual artefacts manifest their makers’ loyalty to the official military ideology, and at the same time, acknowledge and normalize the otherwise invisible harsh realities of service, including subjugation and violence. Analysing the distinctive aesthetic and material aspects of these hand-made multimedia objects, as well as their increasingly digital afterlives, we demonstrate that Soviet dembel’ albums remain powerfully affective embodiments of shared experiences, transmitting the fusion of Soviet popular culture and its ideological cliches to the next generations.
| Original language | English |
|---|---|
| Pages (from-to) | 104-125 |
| Number of pages | 22 |
| Journal | Journal of War and Culture Studies |
| Volume | 18 |
| Issue number | 2 |
| DOIs | |
| State | Published - 20 Jan 2025 |
| Externally published | Yes |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- late Soviet
- memory
- military service
- photo albums
- private photography
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