Filming ritual murder after the Shoah: exculpation, deflection or contrition?

Michael L. Miller

doi:10.1080/13501674.2025.2480732

Filming ritual murder after the Shoah: exculpation, deflection or contrition?

Michael L. Miller^*

^*Corresponding author for this work

Nationalism Studies Program

Research output: Contribution to journal › Article › peer-review

Abstract (may include machine translation)

This article examines the debate over Der Prozeβ (1947), a film by the Austrian director G. W. Pabst about the Tiszaeszlár ritual murder trial. The film stirred up controversy not only because the topic was considered too provocative so soon after the Shoah but also because an Austrian director, who had worked in the German film industry under Nazism, chose a Hungarian topic for his film on antisemitism. Pabst himself understood his film as a form of penance for the crimes of Nazism.

Original language	English
Journal	East European Jewish Affairs
DOIs	https://doi.org/10.1080/13501674.2025.2480732
State	Published - 24 Mar 2025

Keywords

antisemitism
Georg Wilhelm Pabst
Holocaust film
Hungary
Ritual murder

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

10.1080/13501674.2025.2480732

Cite this

@article{1a7e0e1664a54baca5e04e20bfa42ea4,

title = "Filming ritual murder after the Shoah: exculpation, deflection or contrition?",

abstract = "This article examines the debate over Der Prozeβ (1947), a film by the Austrian director G. W. Pabst about the Tiszaeszl{\'a}r ritual murder trial. The film stirred up controversy not only because the topic was considered too provocative so soon after the Shoah but also because an Austrian director, who had worked in the German film industry under Nazism, chose a Hungarian topic for his film on antisemitism. Pabst himself understood his film as a form of penance for the crimes of Nazism.",

keywords = "antisemitism, Georg Wilhelm Pabst, Holocaust film, Hungary, Ritual murder",

author = "Miller, {Michael L.}",

note = "Publisher Copyright: {\textcopyright} 2025 Informa UK Limited, trading as Taylor & Francis Group.",

year = "2025",

month = mar,

day = "24",

doi = "10.1080/13501674.2025.2480732",

language = "English",

journal = "East European Jewish Affairs",

issn = "1350-1674",

}

TY - JOUR

T1 - Filming ritual murder after the Shoah

T2 - exculpation, deflection or contrition?

AU - Miller, Michael L.

PY - 2025/3/24

Y1 - 2025/3/24

N2 - This article examines the debate over Der Prozeβ (1947), a film by the Austrian director G. W. Pabst about the Tiszaeszlár ritual murder trial. The film stirred up controversy not only because the topic was considered too provocative so soon after the Shoah but also because an Austrian director, who had worked in the German film industry under Nazism, chose a Hungarian topic for his film on antisemitism. Pabst himself understood his film as a form of penance for the crimes of Nazism.

AB - This article examines the debate over Der Prozeβ (1947), a film by the Austrian director G. W. Pabst about the Tiszaeszlár ritual murder trial. The film stirred up controversy not only because the topic was considered too provocative so soon after the Shoah but also because an Austrian director, who had worked in the German film industry under Nazism, chose a Hungarian topic for his film on antisemitism. Pabst himself understood his film as a form of penance for the crimes of Nazism.

KW - antisemitism

KW - Georg Wilhelm Pabst

KW - Holocaust film

KW - Hungary

KW - Ritual murder

UR - http://www.scopus.com/inward/record.url?scp=105000761879&partnerID=8YFLogxK

U2 - 10.1080/13501674.2025.2480732

DO - 10.1080/13501674.2025.2480732

M3 - Article

AN - SCOPUS:105000761879

SN - 1350-1674

JO - East European Jewish Affairs

JF - East European Jewish Affairs

ER -

Filming ritual murder after the Shoah: exculpation, deflection or contrition?

Abstract (may include machine translation)

Keywords

UN SDGs

Access to Document

Other files and links

Fingerprint

Cite this