Abolitionist Ways of Seeing: Artists in the Penal Colony Complex

Ros Liebeskind; Khadija von Zinnenburg Carroll

doi:10.1007/978-3-031-19396-5_13

Abolitionist Ways of Seeing: Artists in the Penal Colony Complex

Ros Liebeskind, Khadija von Zinnenburg Carroll^*

^*Corresponding author for this work

Department of Historical Studies

University of Birmingham

Research output: Contribution to Book/Report types › Chapter › peer-review

Abstract (may include machine translation)

This chapter explores the tension caused by the attempts towards the absorption of abolitionist politics into the academy. Focusing on art produced in immigration detention facilities and prisons in the United Kingdom and Australia Carroll and Liebeskind critique various forms of cultural production that ultimately uphold the frame work of the carceral imagination.

Original language	English
Title of host publication	Framing the Penal Colony
Subtitle of host publication	Representing, Interpreting and Imagining Convict Transportation
Editors	Sophie Fuggle, Charles Forsdick, Katharina Massing
Publisher	Palgrave Macmillan Cham
Pages	301–318
ISBN (Electronic)	978-3-031-19396-5
ISBN (Print)	978-3-031-19395-8, 978-3-031-19398-9
DOIs	https://doi.org/10.1007/978-3-031-19396-5_13
State	Published - 2023

Publication series

Name	Palgrave Studies in Crime, Media and Culture

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

10.1007/978-3-031-19396-5_13

https://hdl.handle.net/20.500.14018/14299

REPATRIATES: Artistic Research in Museums and Communities in the process of Repatriation from Europe
Zinnenburg Carroll, K. (PI) & Melgarejo Weinandt, V. (Researcher)
European Commission - H2020 - European Research Council - Consolidator Grant
1/05/21 → 30/04/26
Project: Research

Cite this

Liebeskind, R., & von Zinnenburg Carroll, K. (2023). Abolitionist Ways of Seeing: Artists in the Penal Colony Complex. In S. Fuggle, C. Forsdick, & K. Massing (Eds.), Framing the Penal Colony: Representing, Interpreting and Imagining Convict Transportation (pp. 301–318). (Palgrave Studies in Crime, Media and Culture). Palgrave Macmillan Cham. https://doi.org/10.1007/978-3-031-19396-5_13

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abstract = "This chapter explores the tension caused by the attempts towards the absorption of abolitionist politics into the academy. Focusing on art produced in immigration detention facilities and prisons in the United Kingdom and Australia Carroll and Liebeskind critique various forms of cultural production that ultimately uphold the frame work of the carceral imagination.",

author = "Ros Liebeskind and {von Zinnenburg Carroll}, Khadija",

year = "2023",

doi = "10.1007/978-3-031-19396-5_13",

language = "English",

isbn = "978-3-031-19395-8",

series = "Palgrave Studies in Crime, Media and Culture",

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booktitle = "Framing the Penal Colony",

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Liebeskind, R & von Zinnenburg Carroll, K 2023, Abolitionist Ways of Seeing: Artists in the Penal Colony Complex. in S Fuggle, C Forsdick & K Massing (eds), Framing the Penal Colony: Representing, Interpreting and Imagining Convict Transportation. Palgrave Studies in Crime, Media and Culture, Palgrave Macmillan Cham, pp. 301–318. https://doi.org/10.1007/978-3-031-19396-5_13

Abolitionist Ways of Seeing: Artists in the Penal Colony Complex. / Liebeskind, Ros; von Zinnenburg Carroll, Khadija.
Framing the Penal Colony: Representing, Interpreting and Imagining Convict Transportation. ed. / Sophie Fuggle; Charles Forsdick; Katharina Massing. Palgrave Macmillan Cham, 2023. p. 301–318 (Palgrave Studies in Crime, Media and Culture).

Research output: Contribution to Book/Report types › Chapter › peer-review

TY - CHAP

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AU - von Zinnenburg Carroll, Khadija

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N2 - This chapter explores the tension caused by the attempts towards the absorption of abolitionist politics into the academy. Focusing on art produced in immigration detention facilities and prisons in the United Kingdom and Australia Carroll and Liebeskind critique various forms of cultural production that ultimately uphold the frame work of the carceral imagination.

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DO - 10.1007/978-3-031-19396-5_13

M3 - Chapter

SN - 978-3-031-19395-8

SN - 978-3-031-19398-9

T3 - Palgrave Studies in Crime, Media and Culture

SP - 301

EP - 318

BT - Framing the Penal Colony

A2 - Fuggle, Sophie

A2 - Forsdick, Charles

A2 - Massing, Katharina

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ER -

Abolitionist Ways of Seeing: Artists in the Penal Colony Complex

Abstract (may include machine translation)

Publication series

UN SDGs

Access to Document

Fingerprint

Projects

REPATRIATES: Artistic Research in Museums and Communities in the process of Repatriation from Europe

Cite this